• Look Back in Anger, John Osborne | Directed by Naomi Coleman
  • Look Back in Anger, John Osborne | Directed by Naomi Coleman
  • Look Back in Anger, John Osborne | Directed by Naomi Coleman
  • Look Back in Anger, John Osborne | Directed by Naomi Coleman
  • Look Back in Anger, John Osborne | Directed by Naomi Coleman
  • Look Back in Anger, John Osborne | Directed by Naomi Coleman
  • Look Back in Anger, John Osborne | Directed by Naomi Coleman
  • Look Back in Anger, John Osborne | Directed by Naomi Coleman
  • Look Back in Anger, John Osborne | Directed by Naomi Coleman
  • Look Back in Anger, John Osborne | Directed by Naomi Coleman
  • Look Back in Anger, John Osborne | Directed by Naomi Coleman

Look Back in Anger, John Osborne | Directed by Naomi Coleman

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3 and 4 October, doors open at 6.15pm, performance starts at 7pm. All ticket sales go to the cast and director. 

We’re excited to host Naomi Coleman’s retelling of Look Back in Anger, a play by John Osborne acted out in the ‘living room’ setting of Gather downstairs. This won’t be theatre per se, but an immersive experience where the boundaries between reality and fiction, actor and audience are rendered impossible to decipher.

Whilst John Osborne may have been a controversial figure, his play Look Back in Anger brought life to ‘kitchen sink realism’, initiating a movement of social realism that paved the way for unprecedented changes in British theatre. 

Currently showing at the Almeida, London, we have been very lucky to have the blessing of the owner to the rights of the play to show it here in Ludlow, at Gather. Set in our downstairs space, this is an opportunity to experience the play as it was intended – in an intimate and domestic setting, where the exploration of themes of grief, class, anger and alienation will be palpable and immediate. As a maker space, when Naomi approached Gather about staging the play here, we couldn’t think of a better way to support practicing actors and directors whilst bringing audiences closer to theatre arts than this mode, where the audience is enveloped by the set and drama and the props are the spaces we work within

Synopsis: The play follows a young husband and wife, Alison and Jimmy Porter, as they attempt to navigate class conflict and deal with a deteriorating marriage in 1950s England. Jimmy is frustrated by his post-war life running a local stall – embittered by the disapproval of his wife Alison’s wealthier family and a world that has shut him out, he frequently spirals into fits of rage. As their friends try to keep them level, Alison and Jimmy descend into emotional wreckage.